What is it? Who has it? Can we learn to develop it or do we have to be born with it? Why does this intangible attribute have such immense effect on us? Either way it is an essential tool in the Showman's arsenal, the Illuminated Showman explores.
The term charisma (pronounced /kəˈrɪzmə/; pl. charismata, adj. charismatic)
has two senses: 1) compelling attractiveness or charm that can inspire
devotion in others, 2) a divinely conferred power or talent. {Wiki}
Here at this blog we have previously mined the interconnectedness and shared origins of the
Shaman and the Showman, so for us these two different definitions are not as separate as one might first think.
The man who defined the secular use of the word was
Max Weber he applies the term to
[A] certain quality of an individual personality,
by virtue of which he is set apart from ordinary men and treated as
endowed with supernatural, superhuman, or at least specifically
exceptional powers or qualities. These are such as are not accessible to
the ordinary person, but are regarded as of divine origin or as
exemplary, and on the basis of them the individual concerned is treated
as a leader [...] How the quality in question would be ultimately judged
from an ethical, aesthetic, or other such point of view is naturally
indifferent for the purpose of definition."
As a general attitude I would say charismatic Showmen are passionate explorers who view their work as play and has a playful and easy attitude to life tinged with some deep seriousness like a brush with death or hard won knowledge.
What is it?
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| Strange attractors. |
In many ways charisma is like life. We know what it is but when someone asks for you to describe it in more detail the understanding seems to evaporate like petrol on hot tarmac. Since there is no one characteristic which defines life we describe it rather than define it. We say something is alive if it has all or most of certain criteria such it seems to be with charisma as well. One man which have been researching the slippery notion of charisma for the last thirty years is the psychologist
Ronald Reggio. "Charismatic people are
essentially brilliant communicators," he says. Through his research Reggio has has distilled six traits which he thinks are essential characteristics of charisma.
Emotional expressiveness.
Charismatic individuals express their feelings spontaneously and
genuinely. This allows them to affect the moods and emotions of others.
We all know charismatic people who seem to "light up the room" when
they enter. They typically express positive affect, but they can also
stir us up when they are angry or irritated.
Emotional sensitivity.
This is the ability to read others' emotions, and allows the
charismatic person to make an emotional connection by responding to
their feelings. Just yesterday someone commented (for about the
hundredth time) that Bill Clinton has a special ability to emotionally
connect with people - to "make the person feel like he or she is the
only person in the room."
Emotional control.
Truly charismatic individuals have the ability to control and regulate
their emotional displays. They don't "fly off the handle" (unless they
purposely want to in order to make a point). They are good emotional
actors, who can turn on the charm when they need to.
Social expressiveness.
This is verbal communication skill and the ability to engage others in
social interaction. Charismatic people are skilled and entertaining
conversationalists. They certainly affect us with their emotional
expressiveness, but there is also power in their words. Nearly all
charismatic leaders are effective public speakers.
Social sensitivity.
This is skill in reading and interpreting social situations, being
able to listen to others, and be "in tune" with them. It helps
charismatic persons to be tactful and sensitive to their surroundings.
Social control.
Is a sophisticated social role-playing skill that is particularly
important for charismatic leaders. It can be seen in the way that
charismatic leaders (or everyday "charismatics") carry themselves with
poise and grace. It allows them to fit in with all sorts of people and
make those emotional and social connections that distinguish charismatic
individuals from those of us who possess less personal charisma.
While these are the 6 "building blocks" of personal charisma, and
possessing more of each is generally better, it is also critical that
people have balance among the various skills. {psychologytoday}
Synchrony
Carlin Flora says in her
x-factors of success article:
"A charismatic leader acts as a bonding agent, allowing you to give in to
the giddy togetherness of a peace rally or a line dance. You forget
yourself in his company and climb into the palm of his hand. This
intricate pas de deux is known as synchrony and may be the key to
charisma. Synchrony is a marker of rapport; if two people click, they
unconsciously adjust their posture and speech rate to each other.
Bernieri strongly suspects that charismatic people are natural "attractors" who get others to synchronize to them."
Professor
Richard Wiseman found this synchrony to infact be one of the defining characteristics of charisma.
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| Mark Ryden's Pink Abe Lincoln |
"When you see someone else who has charisma, without realising it, you're mimicking their posture and their facial expressions," says Professor Wiseman, a psychologist. "An obvious example is when someone smiles at you and you smile back. And how you hold yourself influences your emotions."
You're unaware you're mimicking this person, although you know they make you feel happy, he says.
"A charismatic person has three attributes, says the professor:
they feel emotions themselves quite strongly;
they induce them in others;
and they are impervious to the influences of other charismatic people."
This synchronization can go so far as to render the person under a charismatic leader spellbound to the point of giving themselves over to the will of the leader. Willingly giving up their free will and loosing their ability for rational thinking. Such is the case in members of cults and in populations under the influence of charismatic dictators such as Hitler and Stalin.
Studies have strongly indicated that the right temporal lobes of our brains, the part associated with religiousness, have evolved to make humans and chimpanzees hard wired to render a bit or our will and our selves to higher authority wether that is just the leader of the pack or the leader of the tribe. Even to the extent of sacrificing ourselves for the greater good, something bigger than us such as our family, our tribe or our people. It is this system which is hijacked by charismatic leaders and personalities, (and organized religion.)
Can Charisma be learnt?
Carling Flora thinks perhaps not.
"Zeal paired with emotional responsiveness can be identified in babies
as young as four months old, says University of Maryland psychologist
Nathan Fox. While researching temperament in infants, he noticed that
about 10 percent of his tiny subjects became unusually excited by novel
toys or people. He dubbed this group "exuberant" and tracked them
through their seventh birthdays. Exuberance proved remarkably stable,
unlike traits such as shyness that can wane with age. Fox strongly
suspects these children's underlying reward systems function
differently: "Positive rewards like social interaction do more for them
than they do for others." As a result, they are motivated not only to
meet new people but to connect well with them.
Children with an
ecstatic spirit can flounder in less supportive settings, though. "When
you are exuberant, you have your emotions out there on the line. Parents can make these children feel ridiculous," laments psychologist Kay Redfield Jamison, the author of Exuberance.
She believes that girls are particularly vulnerable to having their
natural vitality suppressed. "It's OK to be an enthusiastic tomboy as a
little girl, but then at age 11 or 12 girls are taught to reel it in."
Whilst
Professor Wiseman estimates that charisma is 50% innate and 50% trained and he has created a list of tips to help you on your charisma building way.
General: Open body posture, hands away from face when talking, stand up straight, relax, hands apart with palms forwards or upwards
To an individual: Let people know they matter and you enjoy being around them, develop a genuine smile, nod when they talk, briefly touch them on the upper arm, and maintain eye contact
To a group: Be comfortable as leader, move around to appear enthusiastic, lean slightly forward and look at all parts of the group
Message: Move beyond status quo and make a difference, be controversial, new, simple to understand, counter-intuitive
Speech: Be clear, fluent, forceful and articulate, evoke imagery, use an upbeat tempo, occasionally slow for tension or emphasis
Contradiction
In
Emma Young's New Scientist article we find an interview with Joseph Roach a theater historian and author of It, a book on charisma in actors and performers. Roach says:
"The Key is an enigmatic attractiveness that persuades others to subject themselves to the enigmatic person." And he believes contradictions are vital.
Behavior that crosses social convention, not merely to
get away with something, but which purposefully challenge what's considered normal has a very special magic to it which is particularly valuable to the Showman's Craft.
The emphasis on contradictions is something which I have frequently used to great effect in my work. By combining something which people find challenging to watch such as a dislocation or a sword swallow I find you get their attention in a very visceral and direct way. It knowcks the wind out of them and in this moment of ambivalence there is great potential. But if you only leave it there you trigger only the superficial emotion of revulsion or the kind of fascination exhibited when someone watches a car crash. Whilst if I proceed from the initial moment of deep connection and then add something beautiful or something funny and manage to fuse the two the Crowd has a quite different and altogether more powerful experience.
Grace
Charis means "grace" or "gift" in Greek and in here we find a clue to an attitude that should be in the back of the mind of the Showman. Display and attractive and polite manner and consider your Act a gift to the Crowd. Do not let it be a cheap something picked up from a petrol station on the way, but rather a well thought out present specially tailored and suited to the Crowd who have at this very moment graciously given you their attention.
Grace is the quietest of the
X-factors, perhaps the only one in which star power never threatens to
overshadow substance. Graceful types are just as passionate and driven
as their X-factored peers but rarely stir up the annoyance or suspicion
we may feel toward bold or highly excitable people.
While grace is too elusive to pin down in a lab, we catch
glimpses of it in studies of characteristics like wisdom and
benevolence. Wisdom is associated with "meaning making," a trait
ascribed to people who are introspective and cut to the heart of
problems. Wisdom is also associated with benevolence, and it is in warm,
compassionate individuals that we often see "grace." It is the X-factor
presumed to spring from hard-won life experience. {Flora}
A showman cries for attention and has something to show when he gets it. {Manifesto}
It
is not enough to be able to get the attention of a Crowd. If you
get attention but have nothing to show the Crowd will quickly turn on you
and punish you by ignoring your future attempts at getting their
attention. You will be branded as a show off. There are different types
of material that can be presented which all will please a crowd. All are
fundamentally using the same principles of getting attention,
presenting something, and by this presentation the attention is rewarded
with pleasure, happiness or intellectual stimulation. To reach the
upper echelons of impact a performance a Showman needs to have an
element of the visionary about him. He needs to present himself as
someone who understands the workings of the world and preferably has a
solution for how to change things - perhaps even the world.
"Leaders
who can move an audience with their oratory, who are comfortable with
theatrical events and who are willing to express a vision of the future
can trigger our subconscious, in the way that shamans do in some
traditional societies {Young}
Not heard of it? fair enough it was a bit of a flop at the box office when it came out in 1991. But here at the Illuminated Showman we do love a drunken clown with a good heart. This black comedy chronicles the fall of one of the world's most unlovable clowns as he plies his trade and tries to survive in Palukaville a town where everyone is more or less a Bozo. Shakes loves women and more than that, he loves his booze. Like many of his painted peers, ol' Shakes likes to hang out at The Twisted Balloon, the favorite local pub where he hoists a few, beats up on mimes (the lowest caste in Palukaville) and causes trouble with his girl friend Judy, a woman who cannot say the letter "L." Because the slovenly Shakes can't seem to make it to birthday parties sober and on time, he is fired from his booking agency, causing him to go on a big drinking binge. Later, Shakes awakens and learns that Binky, a lousy TV-clown, is framing him for beating up Shake's former boss with a juggling pin. Now poor Shakes must clear his name. He must also rescue "Juwee" who has been kidnapped by the nefarious Binky, and he must come to grips with his alcohol problem (perhaps the film could be therefore titled "Clown and Sober?"). Keep an eye peeled for cameos by Robin Williams, as a mime instructor, and Florence Henderson as one of Shake's illicit sexual conquests.
