Showing posts with label The Way. Show all posts
Showing posts with label The Way. Show all posts

Monday, 11 May 2020

In Defence of Children

In Defence of Children

IMPORTANT: PLEASE READ IF YOU HAVE CHILDREN!
Cuz i don’t and i slept in until 11 and it was glorious and I just wanted to let you know

Luckily for me the author of this excellent public service announcement from Facebook wrote in all caps lock. This is basically how I judge whether something is an important comment. As a rule, if it’s written in all caps lock, it is not important. Complexity and depth do not coincide with written shouting. But, as we say in Norway, “those who shout in the forest shall be answered”. In the shouted statement I saw a little question concerning children and since I tend to search for the deepest answers to the simplest questions, here is my answer.

In my feed children have been getting a hard time during the apocalypse. Usually its not really attacks on the kids, but rather something along these lines: 

“The only thing I love more than children 
is doing what I want all the time.”

You know what’s sweeter than the sound of a child’s laughter? 
The sound of silence from not having any f***ing kids.

What clever and funny ways of expressing the joys of egocentricity. How good to be able to drink during the day and binge-watch whole seasons of tv. How lovely it would be. But when I scroll further on my feed and read some of their other posts I’m not so sure they are so much happier than me who does have a kid.

The memes make me giggle, most are funny jokes, yet from my experience they spring from a kind of misapprehension. It seems they think the only thing a child does is to steal your time, yet like in any good transaction, it’s really more of an exchange. You get something more valuable in return. 

There’s an experiential dimension to kids that most childless people might not appreciate. In the stress of daily life even many parents forget this dimension. Like many of the most important things, this dimension is subtle, hence easy to overlook. Yet, once you get it, it is as obvious and life affirming as the difference between a set of directions to a place and Robert Frost’s poem the Road Not Taken. 

*

I sit inside brooding, my blinds are drawn shut. I’m unemployed because of the Pandemic, and the feeling of uselessness lies just beneath the surface.

To feel that what we do is right for ourselves and good for the world at the same time, is one of the great triumphs of human existence. I am a Showman and being a Showman is intricately connected to groups of strangers. I’d argue that you can’t understand what a Showman is except as part of a duality with Crowds. It is being watched by a Crowd which makes my Craft meaningful.
Crowds are integral to our Craft and simultaneously it is the very thing which will spread the Covid-19 virus. We performers, the Ones who Face the Other Way, are facing a very uncertain future. Possibly for the first time in history there are no crowds anywhere. We Showfolk are collectively lost. Not like wanderers lost in a wood, but like wanderers who have lost the woods.

*

The famous psychologist Carl Gustav Jung said that the majority of those who came to see him weren’t dealing with clinical neuroses but with a lack of meaning in their lives. In fear of loosing our Way completely, we must reignite our search for meaning.

Here I am ahead of the game. I have a hidden bedrock, a deeper dimension of meaning… Let me tell you the tale. It all began seven years ago very soon after my daughter was born. I was carrying her in a baby wrap against my chest to help her nap at least three times a day for at least three years. Up until then my identity was Showman. It was simple. Making, performing, touring, and talking about Crowds, creation and shows was my relationship, and usefulness, to the world. During those long walks this was beginning to change. A metamorphosis occurred, I was still the same person, but I was also becoming something more. 

My sleeping child was the seed for this growth. She sprouted invisible roots through my chest and straight into my heart. As we fused, becoming symbionts, my acts and my art lost ground as foundation for my identity. A new, deeper foundation became apparent to me. Like my relationship to Crowds had shaped me as a Showman, this new deeper relationship with my child, was reshaping me as a man. My responsibility grew deeper than entertaining Crowds. 

The transformation was akin to when I grew from a boy into an adolescent, and then onwards to a young adult. Each time, I gained something new. More autonomy, better grasp of the world, a different relationship to my genitals, and with that a different relationship to the other sex. With each change I went through a kind of expansion, further into the world. A new dimension appeared. I didn’t know it at the same time, but with each development I also left something behind. As I left the kingdom of childhood, I left my sense of play behind. This loss is very apparent to me these days as I see my daughter completely absorbed in play with her toys. I used to play endlessly with my Star Wars figurines and this ability is now lost to me. In transformation something is gained and something is lost.

Becoming a father changed my relationship to my vocation in a good way. It greatly expanded the meaning and purpose of my old identity as a Showman. Caring for my child made me an expanded man. Still a Showman, but expanded. It connected me deeper into to world wide web of life.

My previous identity as a Showman only connected me to other human beings. Showmanship only makes sense to humans. You can use a cat in your act, but you can’t do your act for cats. Show a dog a card trick and you will see what I mean. On the other hand, being a parent is something a dog understands. Try kicking a Doberman’s puppies and see it react. Its reactions might even be as powerful as a human being seeing a card trick. Maybe even more powerful.

Becoming a father connected me to a part of reality shared, not just by people, but arguably with the entire animal kingdom. Connecting to my child, I connected to something very much greater than myself and my kind. This experience was not merely cognitive. It permeated me completely, my feelings and thoughts were in perfect agreement with my will. There was no doubt in my soul I would throw myself without hesitation at the monster in my daughter’s closet, even if it was the last thing I did. The feeling was strange and unbelievably powerful.

Deeper connections are the very core of what you want as a Showman. A deep connection with the audience is the very point of the Way of the Showman. The lessons learned and transformations catalysed by my daughter expanded my range of connection beyond the circus ring and out onto the world stage. A lot of meaning is discovered when you can connect to something greater than just yourself.

*

I sat inside brooding whilst wasting some time scrolling on my phone when my friend wrote me asking how I was. I wrote something like: “I am fine as long as I’m in the moment. BUT, when I think about the future I very easily come undone. My wife can attest to the fact that my mood swings, often for the worse, when I’m not performing. Everything is up in the air. When will shows open? Will they open at all? When can I again provide for my family? When will my ridiculous skills become useful and meaningful again? Most importantly, when will it be safe for elderly people to once again play the slot machines at our local petrol station?”

In short: the NOW is OK but the FUTURE is uncertain. Uncertainty, especially about the future, can be very distressing. I try to convince myself that the Way to the future is made up of a string of now moments.

*

The first moments of my day I drink tea. It’s a couple of days before Easter. Like most mornings I sit with my daughter on the couch and we read. Her half-hour Zoom school starts at nine. Until then we just hang out. Most mornings I read aloud. We’ve been reading Harry Potter since the quarantine started and we’ve almost finished the second book. I do the voices. It’s not easy. There are so many kids and teachers in those books. I’m not exactly the man of a thousand voices. I’m mostly a one voice kind of guy. Or I was until I had a kid who loves stories as much as me, so now I have a few voices down pretty good. At the end of a chapter she says:
“I wish it was Sunday.” I look at her and put my tea cup down. Easter Sunday has become a big thing for her. I am not exactly sure why, but in these troubled times we need all the excitement we can get, so to feed it I am planning a treasure hunt. We have invited her best friend and quarantine buddy Richard over to our house to join the treasure hunt. I have great things in store for them. 
First they’ll discover a map dangling from a string on the balcony. They’ll spot it from the trampoline. They’ll have to study it. If they do, they’ll eventually discover an X which  marks the spot for the next clue. There will be many clues, one frozen inside ice in the freezer, one at the bottom of the pool, one high up in the olive tree. The final clue involves them having to walk 22 steps north west and 17 steps due east. I gave her a compass a while ago, now she will get to use it to find a donkey shaped piñata filled with chocolate eggs and bunnies, and a squishy toy for each of them.
“Why are there bunnies and eggs for Easter?” she asks. 
“It’s the mystery of life,” I say. “Winter has passed. New life is in the air. Easter is a festival of hope,” I’m quietly chuffed about my answer.

Hope is the fuel of my daughter’s treasure hunt excitement. The hope of chocolate and maybe a squishy toy rat makes her ecstatic with joy and anticipation. She doesn’t know what’s going to happen, but she is pretty sure its going to be good. She is facing the future playfully.

*

From my adult, grown-up point of view things are changing, the old world order is wobbly. There’s a pandemic and there’s also climate change, self driving cars, and AI. As the poet said, “the times they are a’changing.” 

Things are changing for my daughter as well but her change is not from something she  used to know to something new, since practically everything is new for her. The world is so vast, every day brings new things, a pandemic? She takes it in her stride. It’s no more strange and unexpected than the fact that we start doing jump rope for the outdoors part of our homeschool routine. Or that we one morning find our car has gotten a flat tire, which lead to a whole flurry of never-seen-before activities.

There is a petrol stain on the road. I’m happy to see it doesn’t come from my car. From the look of it it’s from my neighbour’s lawn mower. While I crouch by the flat tire, brooding over my broken future, my girl is chanting some verse from school whilst spinning her jumprope and splashing into the pool. Gargles and squeals and endless bell peals of a child’s laughter. It’s earlier than 11. The person who wrote that meme isn’t even up yet. I’ve been up for hours. She squeals with delighted laughter again. Part of me thinks: “How can you laugh at a time like this? The world is falling apart. My Way and means for making a living is evaporating like gasoline on hot tarmac?” 
The petrol stain next to me is a thin film on the ground. The sun is creating a gorgeous display of colours. My girl comes over, dripping wet with her jumprope wrapped around herself. She follows my gaze to the stain.
“Look Pappa, it’s a dead rainbow,” she says pointing to the evaporated stain of my future. My heart flutters and my eyes well up. “Wanna jump in the pool with me?” She asks. I nod, afraid my voice will crack if I speak.

This virus has been terrible. With its destruction of lives and livelihoods. But, as morbid as it might be to admit it, it’s also a kind of exciting time. Who would have thought we would live through an apocalypse. The world is changing. The situation is new. I can’t predict or fix things the Way I used to. I need a new approach. I find this in the hidden dimension revealed by the children. They are my Easter, the hope, the new life and the Way forward. A reminder to not get overwhelmed by the future, and that I have to face it playfully. This is what I am doing before 11 in the morning, this is what having a kid adds to my existence, and I feel like I am a better man for it. Yet, I wouldn’t mind binge watching Unorthodox, about now.

I hope to see you all along the Way.
Yours Truly
Captain Frodo

Thursday, 20 August 2015

The Way of the Showman - III - Sideshow Part Two

Inspired by meeting John Kamikaze and getting invited to join his family of freaks, the Space
Cowboy, Shep Huntly, Tigerlil and myself decided we wanted to create our own sideshow.
The Kamikaze Freakshow was a hardcore experience for the crowds. John Kamikaze's art can be difficult to watch for even the most ardent sideshow enthusiast. So we wanted our sideshow to be a softer experience for the crowds. Personally I have always been drawn in the direction of laughter. A good laugh and gag can make the sideshow medicine go down easier. We wanted to create a show which could manage to convey just how fun and exciting we found the stunts and skills of the sideshows, and make the crowd feel that same excitement. In our talks we talked about wanting it to be a happy vibe show. Shep Huntly had, at the time a smiley face dyed into the hair on his head. He also played the Toothfairy song "You got to be Happy Now," at the start of each of his street shows. Eventually this idea of wanting to make a happy sideshow became our name, not just a description of what we wanted the show to be like.
This next episode in the Way of the Showman series shows glimpses from some of the early exploits of the Happy Sideshow, Australia's Premier Freakshow.
It shows a bunch of the madness arising when The Happy Sideshow opened for the extraordinary showbiz band Machine Gun Fellatio. It was some seriously good times. A deadly cocktail. Rock and Roll meets Shock and Roll.



Friday, 15 November 2013

The Way of the Showman - IV - Act Analysis


Act Analysis

Here I delve into some of my thoughts and ideas, frustrations and triumphs surrounding my physical
comedy spectacle. I guess if I was a musician this would be on my greatest hits album.
Yet again this has been dug from the Archives of treasures in the studios of Carnival Cinema.

It is always interesting for me to watch these episodes, so expertly put together by my good friend and collaborater Hamish McCormick. Somehow he manage to surprise me every time, even though I am in the clips. I guess I have said and done all those things over the years but most of it was so in the moment I have all but forgotten it. Due to his persistent presence he has captured my life in all its ridiculous and glorious detail. Like how I almost loose my famous cool ":-)" as I struggle to come to terms with the changes imposed on my act by a television program I'm about to attend.



Saturday, 12 November 2011

Følg Drømmene dine


In early october 2010 I brought a bunch of friends with me to Haugesund, Norway and for one night only we became Captain Frodo's Carnival of Dreams. (To read a review in Norwegian click here.) The show was sold out and got a great five star review in the local paper. Further I was contacted by a journalist from Haugesund Avis and asked to write a piece for the paper. What follows here is that piece as it appeared on 13th of October, 2010.

Hope you like and understand it. If your Norwegian is rusty scroll down and click below for a rough translation.

Etter å ha vært borte siden 1996, kom jeg
hjem til Haugesund for en kveld for å
vise hvem jeg har blitt siden sist.
Jeg er ikke lenger bare Frodo Santini,
jeg er også, eller snarere, Captain Frodo,
The Incredible Rubberman. Veien dit var
ikke lett å finne.
Det finnes ikke noe opplæringskontor
som skaffer plass på en gumminannsbedrift.
Vil man, må man være fleksibel og
plukke opp lærdom der man finner det.
Jeg begynte min karriere som assistent i
Santini’s Magishow. Det høres gjerne
stort og imponerende ut. Det var det vel
også, på sin måte, men det var bare meg
og pappa – Store Santini og Santini Junior.
På åttitallet var det oss to som var sirkusmiljøet
i Haugesund.
En så snever interesse reiste mange
spørsmål om mine valg og verdier.
«Koffår syns du de e’ så kjekt å øva på
syke triks?»
"Fiskarane" og Bykjirkå
«Ka ti’ ska’ du få ein skikkelige jobb?’
Spørsmål enhver kunstnersjel stiller
seg selv. Tvilen er der alltid. Nok til å
slukke gløden i et barnehjerte. Jeg
trengte et større sirkusmiljø før gløden
døde. En plass jeg kunne bli akseptert
for den jeg var. Ingen spørsmål stilt.
Den som intet våger, intet vinner. En som
akkurat er blitt ferdig på skolen, har
fullført Ex.phil., har et hode fullt av tanker
og et hjerte som banker for ting som
han tror på, som ikke har studiegjeld
fordi han har gjort gateshow og laget
ballongdyr på det nyåpnede Amanda
senteret – har lite å tape.
Dette er en god tid å ta sjanser. Finne
seg selv og gjøre drøm til virkelighet. Å
mane en drøm til liv er en dans på roser.
Myke føtter, skarpe torner. Bloddråper
en ikke kan skille fra knuste rosenblad.
Vondt og vakkert på samme tid.
Edinburgh-festivalen 1998. Jeg har
begynt et gateshow. Jeg setter kofferten
ned og begynner å samle folk. Når jeg
snur meg har noen stjålet kofferten med
alt jeg eier. Pass på tingene, sier Verden.
Jeg bor i en Ford Transit, våkner
febersvett, kondens på veggene. Jeg har
bronkitt. Helst vil jeg sove, men kjører til
Covent Garden. Trenger penger til antibiotika
for å bli kvitt bronkitten.
Etter showet, teller jeg opp det i hatten
og ser at jeg fremdeles ikke har nok.
Skjelven begynner jeg på ‘an igjen. Du
må lage en bedre finale, sier Verden.
Glastonbury-festivalen 2000. Et stappfullt
sirkustelt reiser seg når jeg endelig
slenger tvangstrøya i scenegulvet.
Nå begynner det å komme seg, sier
Verden. Applausen lokker drømmen litt
nærmere virkeligheten.
Haugesund
Som oppdagelsesreisende i sirkusverdenen,
beskrevet på de hvite sidene
bakerst i atlaset, fant jeg litt etter litt
andre som delte min drøm og som ville
henge seg på min ekspedisjon.
Jeg samlet hjelpere med ferdigheter
minst like utrolige som Askeladdens.
Med dem dro jeg drømmen helt inn. Vi
skapte en ny virkelighet.
På flyet til Helganes slumrer jeg. «Du
blir aldri stor i Haugesund» sniker seg
inn i min bevissthet. London, Paris, New
York, ikke noe problem, men Haugesund?
Vil de forstå? Tvilen er der alltid.
Veien ut i det ukjente er lang og
kronglet. En ung kunstner uten form,
med lite å fortelle bortsett fra et rop fra
lengst inne i sjelen.
Utydelige ord med ingen annen
mening enn at de vil bli hørt. Små spirer
The Great Santini Enjoying the show.
av det romantikerne kalte Håpets Blå
Blomst, så sarte og sårbare.
Hvor kult hadde det ikke vært om Haugesund
var et drivhus for disse spirene, og
at haugesunderne var frivillige og entusiastiske
gartnere, så unge spirer slapp å
reise for å vokse seg sterke.
P Byscenen sitter jeg tre meter
over bakken, på toppen av en vaklevoren
stabel blikkbokser.
Captain Frodo’s Carnival of Dreams
spiller en kveld i Haugesund. Jeg ser
publikum tørke svette håndflater på
bukser og kjoler. Stolthet i øynene deres.
De forstår. Jeg er kommet hjem. Full
sirkel. Jeg er akseptert, ingen spørsmål
stilt. Min drøm har blitt virkelig – også
for dem. En vakker virkelighet de trygt
kan flykte til. En virkelighetsflukt til min
virkelighet.
Følg drømmene dine, mine damer og
herrer. Våg å drøm. Jeg ville bli den
Utrolige Gummimannen – nå er jeg det.
Sier jeg fra stabelen.

 For the few of you not quite up on your Norwegian I did a google translate of it for you. (It is funny at times...)

Sunday, 28 August 2011

Lessons from the Way of the Showman - ?


Small room, big thoughts.

How many are there? Where do they come from?
The answer to the first is: I don’t know, but possibly endless; the second answer is: from two different sources. The first I will keep secret, for now.
The second is a peculiar blend of an inquisitive and exploratory mind spending too much time alone in hotel rooms. These refuges for weary travelers are like monk cells. The process of making them inoffensive to everyone has made them homely to none. There is usually only one chair and one desk and for some reason the mirror hangs right above the desk. So if I want to sit, I get locked in a face off with myself. This makes me think big existential questions. What am I doing with my life? Is my life shallow? Can you have a meaningful life with novelty acts and carnival fun as your foundation?
In times like that I pick up the complimentary pen and pad and jot down thoughts that are too big to keep in. I now post these on facebook as seeds for thought for other fellow followers of the Way of the Showman.